ORIGINAL ARTWORKS | Vera Kober Artist

Interested in an original painting?

Just reach out — I’ll be happy to provide more information.

Peonies for you

Original painting
Size: height 50cm x width 40cm
Material: Acrylic on linen canvas
Year: 2025

Vibrant rainbow hued bouquet

Original painting
Size: height 80cm x width 80cm
Material: Acrylic on linen canvas
Year: 2025
A vibrant bouquet, not arranged but captured — in motion, in emotion, in tension.This painting was born from a single impulse: the desire to hold light through color, without softening its energy. The bouquet is not idealized, it is alive. Each brushstroke moves like muscle and breath, shifting from warm to cool, from curved to fractured.Inspired by the feeling of standing near a window after rain, when colors blur, reflections tremble, and nothing stands still, the painting captures that moment of restless beauty. The flowers appear not as symbols, but as physical presences — open, full, momentarily wild.Color transitions are layered, intuitive, and fluid. Pinks, violets, and greens meet without hesitation. Some strokes stretch wide, others stop mid-motion. The surface remains airy and light, while the gesture holds weight and tension from within.A piece for those who sense energy in color and feel stillness as alive.A material body without heaviness, a bouquet that exists just before it disappears.

Expressive abstract floral painting / Modern botanical artwork / Acrylic on linen

“Drowning in Greenery with Peonies” draws you into a world where everything breathes — petals, leaves, color, light. The peonies are not just flowers — they’re bodies in motion, unfolding with tension, rhythm, and presence. This is a painting that doesn’t sit quietly on the wall. It reaches toward you.

Each stroke carries weight and energy. The pinks are full of pulse, the greens — dense with life. Nothing here is still. The surface vibrates. You don’t just look at it — you feel it. A moment of abundance caught in motion.

This piece transforms a space. It brings in that charged, raw feeling of something truly alive.

Acrylic on linen. No fake textures. Only movement, breath, and that unmistakable tension between bloom and brush.

Not available

Drowning in greenery with peonies
Original painting
Size: height 90cm x width 60cm
Material: Acrylic on linen canvas
Year: 2025
Expressive abstract floral painting / Modern botanical artwork / Acrylic on linen

“Drowning in Greenery with Peonies” draws you into a world where everything breathes — petals, leaves, color, light. The peonies are not just flowers — they’re bodies in motion, unfolding with tension, rhythm, and presence. This is a painting that doesn’t sit quietly on the wall. It reaches toward you.

Each stroke carries weight and energy. The pinks are full of pulse, the greens — dense with life. Nothing here is still. The surface vibrates. You don’t just look at it — you feel it. A moment of abundance caught in motion.

This piece transforms a space. It brings in that charged, raw feeling of something truly alive.

Acrylic on linen. No fake textures. Only movement, breath, and that unmistakable tension between bloom and brush.

Expressive original painting of a hidden iris flower in cool violet and green tones, with bold textured brushstrokes and dynamic movement.

The hidden iris in front of you

Original painting
Size: height 50cm x width 40cm
Material: Acrylic on linen canvas
Year: 2025
In Hidden Iris, the flower is not a decorative subject — it is a living force, shaped through tension, gesture, and depth. Each brushstroke carries weight and rhythm, building a presence that feels both intimate and powerful.

The iris appears and disappears within the layered strokes — it resists full exposure, inviting the viewer to stay, to look deeper. The movement is not ornamental but structural; the colors vibrate between cool violets, soft greens, and sudden warm flashes, creating a sense of motion held in stillness.

This work challenges the traditional floral motif by transforming it into a study of energy, matter, and emotional intensity. It is not about a flower. It is about presence.

Cream Yellow Rose

Original painting
Size: height 50cm x width 40cm
Material: Acrylic on linen canvas
Year: 2025
This painting presents a rose formed through a sequence of tense, living brushstrokes, where the emphasis lies not in decoration but in a deep, internal logic of movement. Each petal is not a shape, but an act — the brush seems to sense the flower’s breath rather than define it. The color palette is subtle and corporeal: from warm cream to amber gold, with traces of ochre and wine-red — hues that feel drawn not from paint, but from the texture of light itself. The background is not a backdrop; it participates, entering into a plastic dialogue with the rose, absorbing and reflecting its energy.
This is neither a botanical study nor a symbol — it is the rose as a material event, alive, breathing, filled with a charged stillness.

Bird of Paradise Flower

Original painting
Size: height 40cm x width 50cm
Material: Acrylic on linen canvas
Year: 2025
In “Bird of Paradise Flower,” the flower is not treated as a decorative subject but as a living, tension-filled presence, unfolding into space through the stroke as if with flesh. Each petal is not simply painted but shaped from color: yellow shifting into ochre and orange, while violet-lavender planes vibrate between cool shadow and inner radiance. The brushwork is not mechanical — it carries tension, rhythm, and a tactile sensitivity to each movement.

The painting is built on the encounter of color masses where saturated tones do not compete but resonate — in brightness, in depth, in resistance. It does not shout; it resonates — densely, precisely, quietly — like the presence of something whole and alive. This is not a depiction, but an experience — of the flower as gesture, breath, and a flash from within.

The pair of irises

Original painting
Size: height 50cm x width 40cm
Material: Acrylic on linen canvas
Year: 2025
The pair of irises seems to emerge from the canvas like sentient beings, infused with inner tension and a quiet breath of their own. Each petal is not a shape but a gesture—an arc, a pause, a vibration. The painting is tactile and corporeal; the brushstrokes do not conceal but reveal the structure of the flower—its flesh, its uneasy stillness.

The purples and whites are far from decorative; they are layered, shifting from luminous highlights to ink-like depths, from cool light to dense shadow.

These flowers do not float—they lean, they carry weight, they feel the burden of their own presence. There is no story between them, only a space dense with unspoken tension.

This is not a depiction of irises, but a distilled moment of internal force embodied in a flower. The painting does not imitate nature—it reimagines it as flesh and energy.

Curious poppy

Original painting
Size: height 50cm x width 40cm
Material: Acrylic on linen canvas
Year: 2025
Curious poppy explores the moment when form reaches beyond itself — not to become something else, but to question its own unfolding. The flower leans forward, not in bloom, but in tension: a gesture caught between impulse and restraint. Red is no longer just color, but an inner state — layered, uncertain, assertive.

Brushstrokes are not decorative; they move like thought in matter. Some bend into softness, others collide, redirect, or hold. The surrounding pale tones do not soothe — they listen. This is not a painting of a flower. It is a question in form: What does it mean to reach forward — and stop?

In Compressed Peonies

Original painting
Size: height 50cm x width 40cm
Material: Acrylic on linen canvas
Year: 2025
In Compressed Peonies, the flower becomes a vessel of restrained energy — not a symbol of softness, but of pressure, tension, and inner density. Each brushstroke carries weight and direction, pressing color into color, petal into petal, until the bloom nearly collapses under its own emotional gravity. The composition is not decorative, but physical — corporeal in presence, with a visceral rhythm of movement and stillness. The peonies here are not observed, but experienced: held, compressed, and alive.This work continues the artist’s exploration of floral form as a site of internal resistance, embodying both fragility and force within a single, vibrating surface.